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    <loc>http://www.michaelfullerton.co.uk/chisenhale-2010</loc>
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    <lastmod>2017-01-08</lastmod>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010 - Flyer</image:title>
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      <image:title>Chisenhale, London 2010 - Press release</image:title>
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      <image:title>Chisenhale, London 2010 - Chevalier d’Eon</image:title>
      <image:caption>Oil on linen 45 x 60 cm Known as the transvestite spy, he was originally named Charles-Geneviève- Louis- Auguste-André-Timothée Eon de Beaumont. In 1756, he was inducted into Louis XV’s espionage network, the Secret du Roi. Seeking a rapprochement between Russia and France, Louis sent d’Eon, disguised as a Mademoiselle Lia de Beaumont, to infiltrate the Muscovite court of Empress Elizabeth I. Although this sounds far fetched, the European upper classes were increasingly fascinated with the idea of men and women assuming opposite roles for society events, and d’Eon, who kept a scrapbook on hermaphrodites, was more interested in the concept than most. He became a well known socialite and such was the feverish debate about d’Eon’s gender in the 1780s that a betting pool ran at the London Stock Exchange on whether he was a man or a woman, with the latest odds posted in all the best coffee houses. Only after d’Eon died in a shabby London bedsit, aged 81, did a post-mortem reveal all. Many commentators considered d’Eon to be one of the pioneers of the feminist movement, articulating views about the female perspective from a unique position. He built up a library of 6000 volumes and 500 rare manuscripts including a collection of radical feminist books which explored the 18th-century querelle des femmes (the women question).</image:caption>
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      <image:title>Chisenhale, London 2010 - An Unexplained Mystery, Not Broadcast on CBS’s “Unexplained Mysteries”</image:title>
      <image:caption>Oil on canvas 45 x 60 cm Roberto Calvi was known as ‘God’s Banker’ due to the fact that the Ambrosiano Bank, of which he was the chairman, was largely owned by the Institute of Religious Works – the bank of the Vatican state. His death in London on 18th June 1982 is subject to much political intrigue and speculation. Calvi was found hanged under Blackfriars Bridge. His death was subject to two coroners inquests, neither of which could conclude he was murdered. On the insistence of his family however, his body was exhumed and in 2002 an independent forensic enquiry concluded he had been murdered. This led to speculation that Calvi’s death involved shady dealings involving the Vatican Bank, the Italian mafia and a secretive Masonic lodge called Propaganda Due or P2. When Calvi’s body was found his clothes were loaded with masonry bricks, which many read as a symbolic Masonic warning. The members of the P2 lodge also referred to themselves as ‘frati neri’ or ‘black friars’.</image:caption>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010 - BASF Magic Gold</image:title>
      <image:caption>Pigment Magic Gold®, now discontinued, was part of the Variochrome® range of pigments, which represented the cutting edge of BASF’s pigmentation technology only a few years ago. It was used primarily in the automotive industry. When sprayed or powder coated, the pigment appears as two different colours: gold or green.</image:caption>
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      <image:title>Chisenhale, London 2010 - The Bitch Messed With His Head</image:title>
      <image:caption>Oil on linen 45 x 60 cm Mirren Barford was engaged to Jock Lewes, co founder of the SAS. Lewes was killed in action before they could marry. While a confident soldier in the Special Forces, Lewes’ personal life was dogged by insecurity and jealousy. Upset when Mirren didn’t respond immediately to a letter, he wrote to his brother in 1939, ‘Have you any news of Mirren? As I have had no reply to my delicately worded epistle, I can only presume that you foxed me with the wrong address, and that you are yourself already engaged to be married to her. I can find no other explanation for her misguided preference for your highly inferior person and her neglect of my well-bred advances.’</image:caption>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010 - Gothic Version of the Ring Laser Gyroscope Used in Final Flight of the Space Shuttle Columbia STS-107</image:title>
      <image:caption>Mirror, laser, smoke machine, plinth The Ring Laser Gyroscope is a device that continuously monitors the position, velocity, and acceleration of a vehicle, usually a submarine, missile, or aeroplane, and thus provides navigational data or control without the need for communicating with a base station. This is characteristic of inertial guidance systems. Inertial guidance systems are self-referential and determine location and orientation not from sightings of the stars or landmarks, nor from signals from the ground, but solely from instruments carried aboard a moving craft.</image:caption>
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      <image:title>Chisenhale, London 2010 - Wall text</image:title>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010 - Loyalist Male (William Law) Glasgow, 9th July 2010</image:title>
      <image:caption>Oil on linen 175 x 85 cm William plays the fife, a flute-like instrument traditionally used in military bands. By some reports a band of fifes and drums can be heard up to three miles away over artillery fire. These qualities made it useful for signaling on the battlefield. The fife was one of the most important musical instruments in America’s colonial period. Its influence is still heard in Appalachian folk music and even influenced the music of African American slaves, becoming fife and drum blues. William is a member of the Netherton Road Flute Band in North Lanarkshire. This marching band is affiliated to the Livingston Memorial Loyal Orange Lodge 147.</image:caption>
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      <image:title>Chisenhale, London 2010 - Loyalist Female (Katie Black) Glasgow, 3rd July 2010</image:title>
      <image:caption>Oil on linen 175 x 85 cm In Glasgow Loyalists are loyal to a United Kingdom and the British Crown. Many are members of orange lodges, who organise social and political events. One such event is the Annual Orange Parade in Glasgow, which took place on 3rd July this year. It featured about 8,000 marchers and 90 bands from 182 lodges across the city, many from Northern Ireland. Katie is a ‘follower’ or supporter of the orange walk; many of the marchers wear flags on the march.</image:caption>
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      <image:title>Chisenhale, London 2010 - Columbia, The Woman</image:title>
      <image:caption>Screenprint on newsprint, flyposted 225 x 300cm Here she is depicted film-noir style, as a femme fatale.  </image:caption>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010 - Analogue Signal Entitled ‘The 10 O’Clock News’, Broadcast by the BBC, 5th May 1980</image:title>
      <image:caption>Ferric Oxide and Urethane on glass 122 x 122 cm Thirty years ago, on 5th May 1980, six terrorists stormed the Iranian Embassy in London, and took 26 people hostage. For the next six days the world watched in trepidation as police tried to bring the tense standoff to a peaceful conclusion. The siege ended as suddenly as it began, with an elite SAS team storming the building and killing five of the terrorists. Millions watched live on television as black-clad troops abseiled onto the embassy’s balcony before hurling grenades through the windows. The unforgettable images thrust the secretive Special Air Service (SAS) into the public eye and earned them a hallowed status that persists to this day.</image:caption>
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      <image:title>Chisenhale, London 2010 - Untitled (owl)</image:title>
      <image:caption>Video transferred to DVD  </image:caption>
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      <image:title>Chisenhale, London 2010 - Untitled (owl)</image:title>
      <image:caption>Video transfered to DVD</image:caption>
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      <image:title>Chisenhale, London 2010 - Chisenhale edition</image:title>
      <image:caption>Silkscreen on Somerset newsprint. 60 x 45 cm</image:caption>
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      <image:title>Chisenhale, London 2010</image:title>
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      <image:title>Chisenhale, London 2010 - Who’s Shagging Who at Lockheed Martin?</image:title>
      <image:caption>Oil on linen 45 x 60 cm Dyptich Lockheed Martin is a global security company covering research, design, development, manufacture, integration and sustainment of advanced technology systems, products and services. They specialise in aerospace and defense and were instrumental in the development of the space shuttle and POLARIS missiles. The Director, Mr Stevens, was dating one of the staff and her best friend behind her back. The affair was the scandal of the department at the time. Here are the women in question: one of them is a traitor.</image:caption>
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      <image:title>Chisenhale, London 2010 - Who’s Shagging Who at Lockheed Martin?</image:title>
      <image:caption>Oil on linen 45 X 60 cm Dyptich</image:caption>
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      <image:title>Chisenhale, London 2010 - Why Your Life Sucks</image:title>
      <image:caption>Oil on linen 45 x 60 cm For all his genius and his extraordinary contribution to the war effort, Alan Turing was shamefully ignored by the British establishment. He killed himself after being convicted of being a homosexual and ‘gross indecency with a male’ in March 1952. Instead of prison, he was sentenced to chemical castration, which involved receiving injections of the female hormone oestrogen, designed to suppress his homosexuality. In the words of one of his biographers, it also set the diffident genius on a ‘slow, sad descent into grief and madness. As a consequence, on 7th June 1954, just two weeks before his 42nd birthday, the softly-spoken genius killed himself by taking a bite out of an apple that he had dipped in cyanide. Some believe his bizarre death is commemorated to this day in the logo used by Apple on its electronic goods – so significant was his contribution to the genesis of the computer.</image:caption>
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      <image:title>Chisenhale, London 2010 - Lech Walesa Overseeing a United States of Europe</image:title>
      <image:caption>Oil on Linen 61 x 46 cm Lech Walesa was an influential organiser for the Polish Solidarity trade union movement in the 1970s. He received the Nobel Peace Prize in 1983, and in 1989 he became the first democratically elected president of Poland. He said, ‘Truth is very important when we speak of the course of history’ and believed that the fall of the Iron Curtain was due to the Vatican and Solidarity. Pope John Paul’s visit to Poland in June 1979 was very influential because it was his first visit to a communist country, ‘unifying Europe in freedom’.</image:caption>
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      <image:title>Chisenhale, London 2010 - Columbia Space Shuttle</image:title>
      <image:caption>Screenprint on newsprint, flyposted 225 x 300 cm Columbia was the first of NASA’s Orbiter fleet. It was manufactured by various companies including Boeing, Lockheed Martin, Thiokol, Rockwell and Alliant Techsystems. It was delivered to the Kennedy Space Center in March 1979. Columbia initiated the Space Shuttle Flight Program when it lifted off on 12th April 1981. It proved the operational concept of a winged, reusable spaceship by successfully completing the Orbital Flight Test Program. The space craft was destroyed over east Texas on its landing descent to Kennedy Space Center on 1st February 2003 at 8:59 a.m. EST at the conclusion of a microgravity research mission (STS-107). Columbia was named after a small sailing vessel that operated out of Boston in 1792 and explored the mouth of the Columbia River. One of the first ships of the U.S. Navy to circumnavigate the globe was named Columbia. The command module for the Apollo 11 lunar mission was also named Columbia.</image:caption>
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      <image:title>Chisenhale, London 2010 - Using Polish Technology, Alan Turing Devised a More Sophisticated Machine to Crack ENIGMA</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 220 x 300 cm Alan Turing is regarded as the father of modern computer science and worked as a code breaker at Bletchley Park, home of the United Kingdom’s main decryption centre during WW2. At that time the Germans were using a cipher machine called ENIGMA. They were convinced that ENIGMA could not be deciphered, indeed so confident were they that they used the code for top secret communications. Any deciphered information was so highly regarded by the British that they code-named it ULTRA. Turing was the person that eventually cracked the ENIGMA code.  </image:caption>
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    <loc>http://www.michaelfullerton.co.uk/carl-freedman-2015</loc>
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    <lastmod>2016-05-30</lastmod>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015 - Press release pt 1</image:title>
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      <image:title>Carl Freedman Gallery, London 2015 - Press release pt 2</image:title>
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      <image:title>Carl Freedman Gallery, London 2015 - One Beautiful Drop</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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      <image:title>Carl Freedman Gallery, London 2015</image:title>
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  <url>
    <loc>http://www.michaelfullerton.co.uk/meaning-inc-nycglasgow</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2017-01-10</lastmod>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Installation, Greene Naftali</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Installation, Greene Naftali</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Greene Naftali Gallery / Glasgow Print Studio. 2014</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Press release</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Wall text</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - The Producer</image:title>
      <image:caption>Oil on linen 60 x 72 cm Samuel Gelbfisz was born in 1879 in Warsaw, Congress Poland, Russian Empire. He immigrated to the US in 1898, changing his name to Samuel Goldfish, and eventually started working as a theatre producer. In 1916 Goldfish partnered with Broadway producers Edgar and Archibald Selwyn, using a combination of both names to call their movie-making enterprise Goldwyn Pictures. Samuel Goldfish then had his name legally changed to Samuel Goldwyn, which he used for the rest of his life. Goldwyn made numerous films and reigned as the most successful independent producer in the US for years. He received his first Oscar nomination for Best Picture for Arrowsmith (1931), and received subsequent nominations for Dodsworth (1936), Dead End (1937), Wuthering Heights (1939), The Lit- tle Foxes (1941) and The Best Years of Our Lives (1948).</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Kim Dotcom Under House Arrest, Auckland November 25th 2013 (Version one)</image:title>
      <image:caption>Oil on linen 210 x 100 cm Kim Dotcom, (born Kim Schmitz; 21 January 1974) is a New Zealand based Internet entrepreneur. His website, Megaupload.com was one of the most popular online cloud computing and file sharing services. In 2012 he was arrested by the New Zealand authorities in response to charges brought by the Motion Pictures Assiociation of America (MPAA) in the largest copyright and piracy case ever brought to court. Studios represented by the MPAA include: 20th Century Fox, Paramount, Universal, Columbia, Warner Brothers and Disney. He faces charges of copyright infringement to the tune of $175 million, and he allegedly cost copyright holders $500 million in lost revenue. He spent almost two months on remand at Mount Eden prison, Auckland, before being released on bail. He is currently fighting extradition to the United States and remains under house arrest at his home near Auckland, New Zealand.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Kim Dotcom Under House Arrest, Auckland November 25th 2013 (Version Two)</image:title>
      <image:caption>Oil on Linen 210 x 100 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Peter Gutmann, Auckland 2013</image:title>
      <image:caption>Oil on linen 105 x 200 cm Peter Gutmann is a computer scientist at the Department of Computer Science at the Universityof Auckland, New Zealand. He is the developer oft he cryptlib open source software security library. He also contributed to the cryptographic software Pretty Good Privacy – one of the world’s first widely available “strong” or military- grade encryption programs (PGP 2.0). He is also known for his analysis of data deletion on electronic media, magnetic and otherwise, and devised the “Gutmann method” for erasing data froma hard drive (a 35-pass erasure method which comes standard on all Windows and Macintosh computers). He has also written on his career as an “arms courier” for New Zealand, detailing the difficulty faced in complying with customs control regulations with respect to cryptographic products, which are classed as “munitions”</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Cypher</image:title>
      <image:caption>Silkscreen with black and gold ink onto Somerset Newsprint 74 x 108 cm Edition of 30    </image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Cypher (MGM, circa. 1936)</image:title>
      <image:caption>Oil on linen 45 x 60 cm Jean Harlow was an American film actress and sex symbol of the 1930s that signed with Metro-Goldwyn- Mayer in 1932. Her co-stars included Cary Grant, Spencer Tracy and in six films, Clark Gable. Harlow’s popularity rivaled and soon surpassed fellow MGM actresses such as Joan Crawford. She had become one of the biggest movie stars in the world by the late 1930s, often nicknamed the “Blonde Bombshell” and the “Platinum Blonde,” and popular for her “Laughing Vamp” movie persona. She died of renal failure during the filming of Saratoga in 1937 at the age of 26.The film was completed using doubles and released a little over a month after Harlow’s death. The American Film Institute ranked her as the 22nd greatest female movie star.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Beauty (Conde Nast 2007)</image:title>
      <image:caption>Oil on linen 45 x 60 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - In-Flight Advertisement</image:title>
      <image:caption>Oil on linen 45 x 60 cm A Jewellery advertisement in a British Airways in-flight magazine</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Formal Values: Sucking Corporate Cock Since 1968</image:title>
      <image:caption>Ferric Oxide, Urethane, pedestal. 30 x 30 x 30 cmFerric Oxide, Urethane, pedestal.  30 x 30 x 30 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Derek McGill, Governor, HMP Barlinnie, Glasgow, 2013</image:title>
      <image:caption>Oil on linen 90 x 180 cm Derek McGill is the governor of Her Majesty’s Prison Barlinnie, situated on the outskirts of Glasgow.The all- male prison, built in the late 19th century, houses up to 868 prisoners, most serving sentences of less than four years. It is Scotland’s largest, most complex penal establishment and holds all categories of prisoners. Its main purpose is to hold remand and short- term prisoners sent by the West of Scotland courts. Barlinnie also has a facility that holds protection prisoners and sex offenders separate from the main prison population. The segregation unit is available for local prisoners and national prisoners from other establishments for a variety of management reasons.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Meaning Incorporated</image:title>
      <image:caption>Ultramarine pigment (Afghan Lapis Lazuli), pine turpentine, linseed oil, pedestal 30 x 30 x 30 cm Lapis Lazuli was first used in 6th century Afghanistan, and found extensive use in 14th and 15th century illuminated manuscripts and Italian panel paintings. It was the most expensive pigment, more expensivethan gold during the Renaissance. Its material rarity endowed it with great symbolic value, and thus was often reserved - as a sign of respect - for the cloaks of Christ and the Virgin. It was imported from Afghanistan to Europe by way of Venice, hence the name - Ultramarine - which means “over the sea”.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - installation view, Glasgow Print Studio</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Seduction</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 300 x 225 cm Polaris missile by Lockheed Martin 1971</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Trademark</image:title>
      <image:caption>Silkscreen on newsprint, fly-posted 700 x 225 cm This lion was the first lion used for the newly formed Goldwyn Pictures studio. He was born at the Dublin Zoo in 1919 and was in the original logo, designed by Howard Dietz and used by the Goldwyn Pictures Corporation studio from 1917 to 1924.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Installation view, Glasgow Print Studio</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Painter (Bert Lahr, 1934)</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 300 x 225 cm Bert Lahr, born Irving Lahrheim, August 13, 1895, was an American actor and comedian. Lahr is probably remembered best for his role as the Cowardly Lion in the film The Wizard of Oz (MGM 1939), but was also known for his work in burlesque, vaudeville, and on Broadway.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Beauty (The Walt Disney Company 1937)</image:title>
      <image:caption>Oil on linen 40 x 30 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Maryllin Hewson (Official Corporate Version)</image:title>
      <image:caption>Oil on linen 45 x 60 cm Marillyn A. Hewson is Chairman, President and Chief Executive Officer of Lockheed Martin Corporation. In her 30 years with Lockheed Martin, Hewson has held several operational leadership positions including President of Lockheed Martin Systems Integration; Executive Vice President of Global Sustainment for Lockheed Martin Aeronautics and President of Lockheed Martin Logistics Services.She has also served in key corporate executive roles, including Senior Vice President of Corporate Shared Services,Vice President of Global Supply Chain Management, and Vice President of Corporate Internal Audit. She serves as Steering Committee Chair for the Defense Industry Initiative, an association of U.S. defense companies committed to conducting business affairs at the highest ethical level. She is also a member of the Board of Governors of the Aerospace Industries Association, and is an Associate Fellow of the American Institute of Aeronautics and Astronautics.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Marillyn Hewson (Gothic Version)</image:title>
      <image:caption>Oil on Linen 45 x 60 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Cary Grant on LSD</image:title>
      <image:caption>Oil on linen 45 x 45cm Cary Grant was the first mainstream celebrity to espouse the virtues of psychedelic drugs. Whereas novelist Aldous Huxley’s famous 1954 treatise “The Doors of Perception” recounted his remarkable experiences with mescaline, Huxley was hardly mainstream – a darling of intellectual circles to be sure, but a far cry from a matinee idol. Grant was one of the biggest stars Hollywood had to offer when he jumped headlong into Huxley’s “Heaven and Hell.” His endorsement of subconscious exploration arguably created more interest in LSD than Dr.Timothy Leary, who was largely preaching to the converted. Grant on the other hand was the fantasy of countless Midwestern women. He convinced wholesome movie starlets like Esther Williams and Dyan Cannon to blow their minds. When Ladies Home Journal and Good Housekeeping interviewed him, the topic of conversation wasn’t Cary’s favorite recipe or “the problem with youth today.” Instead Cary Grant was telling happy homemakers that LSD was the greatest thing in the world.</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Peter Gauger, Cologne 2013</image:title>
      <image:caption>Flight engineer for D.L.R. and N.A.S.A. - the German and United States aerospace administrations. Oil on linen 30 x 45 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Beauty (Conde Nast 2007)</image:title>
      <image:caption>Oil on linen 45 x 60 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Regulus Guided Missile (Associated Press Photo, circa 1957)</image:title>
      <image:caption>Silkscreen on newsprint 101 x 76 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014</image:title>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Two Lasers: One Pointing at Polaris (Pole Star). The Other Delineating the Traversal of the Star Regulus as It Comes Over the Horizon</image:title>
      <image:caption>Pedestal, table, tools, acrylic, lasers, smoke machine, mirrors Dimentions Variable</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Who Are The Brain Police?</image:title>
      <image:caption>Police Vehicle Strobes, wood, electrical components 60 x 60 x 60 cm</image:caption>
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      <image:title>Glasgow Print Studio / Greene Naftali, New York 2014 - Installation view, Glasgow Print Studio</image:title>
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  </url>
  <url>
    <loc>http://www.michaelfullerton.co.uk/centre-of-contemporary-art-glasgow</loc>
    <changefreq>daily</changefreq>
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    <lastmod>2017-01-10</lastmod>
    <image:image>
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      <image:title>Centre for Contemporary Art. Glasgow. 2005</image:title>
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      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5581fc3be4b0413a0b0c8133/1484073576898/37500004.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/58752a64bb7f1eab50918c4d/1450318248853/37500004.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/58741956e3df28fb942b1864/1484004367709/Screen+Shot+2017-01-09+at+23.12.31.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Press release</image:title>
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      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5674685425981d39eaa12015/1484073439738/Screen+Shot+2017-01-10+at+00.27.30.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Ross Mcwhirter Aged 13 at the Outbreak of War</image:title>
      <image:caption>Oil on linen 45 x 60 cm Founder, Guiness Book of World Records.</image:caption>
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      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/587419b46b8f5b10b3c0bcca/1484003837130/Screen+Shot+2017-01-09+at+23.15.38.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Wall text</image:title>
      <image:caption>Vinyl</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5872b06f2e69cf4079789e49/1484001108716/CCA_KEEPSWORLD3_PH.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005</image:title>
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    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5581fc61e4b01f59c2b18e14/1484005287111/P1010928.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Friedrich Nietzsche’s house in Panascope©</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 1200 x 220 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5872b84217bffcd05870e809/1484005865179/37470003.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - John Peel Live on Air</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 900 x 220 cm Peel session - Dave Clarke (live PA), BBC Maida Vale Studios, February 4, 2004 (link)  </image:caption>
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      <image:title>Centre for Contemporary Art. Glasgow. 2005</image:title>
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      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/567468a125981d39eaa1236d/1484073456880/Screen+Shot+2017-01-10+at+00.29.45.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - A Loyal Beautiful Aesthete for a World That Didn't Care</image:title>
      <image:caption>Oil on linen 45 x 60 cm Michael Collins served two years in jail for his participation in the anti-capitalist riots, London 2001.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5581fc76e4b0413a0b0c8275/1484073400559/37500035.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - A 3d Mock-up of an Illustration of the retina from the book Ocular Anatomy &amp; Histology (Fig 39a, cones)</image:title>
      <image:caption>Ferric oxide/eurethane/microphone This particular microphone comes from the New York office of the BBC and was used most notably by the late Alistair Cooke in his broadcasts entiltled,  “Letter from America” - the worlds longest running speech radio programme. The Coles 4038 Studio Ribbon Microphone was designed by the BBC as a broadcast recording microphone with exceptionally flat frequency response from 30 Hz to 15,000 Hz. It provides a natural, smooth sonic quality and textured response to the sound signal. From grunge quitar to classic grand piano describes the widely diverse applications in which this microphone is used. Many of the leading record producers use this classic mic in any number of applications.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5674690725981d39eaa127e6/1484073400566/37460010.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005</image:title>
      <image:caption>Detail of Roger Cooke's microphone.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5674687525981d39eaa1217d/1484073400586/Screen+Shot+2017-01-10+at+00.34.17.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - John Peel (BBC Portland Place)</image:title>
      <image:caption>Oil on canvas 170 x 101 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/567468c125981d39eaa124d4/1484073400607/Screen+Shot+2017-01-10+at+00.30.08.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - David Milligan  (Surveillance specialist , Glasgow City Council, Housing Benefit Anti- Fraud Unit)</image:title>
      <image:caption>Oil on LInen 60 x 40 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5674680925981d39eaa11ccf/1484073400702/CCA_KEEPSWORLD2_PH.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Who Keeps The World Both Old and New in Pain or Pleasure?</image:title>
      <image:caption>Mild steel coated with BASF Variochrome Magic Purple. 6 rods, each 500 cm A 3d mock-up of an illustration of the retina from the book Ocular Anatomy &amp; Histology (Fig 39b, rods)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5674682325981d39eaa11dda/1484073400707/37460001.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Silence is so...accurate (As expressed by Mark Rothko in 1947)</image:title>
      <image:caption>Bails of newsprint Dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/58742ae6b8a79bc9a78e01b3/1484073400719/Screen+Shot+2017-01-10+at+00.28.55.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Roger Hargreaves Re-Illustrated</image:title>
      <image:caption>Detail</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5674683c25981d39eaa11eec/1484073400747/37460002.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Roger Hargreaves Re-illustrated</image:title>
      <image:caption>Oil on linen, colour photocopy Dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5674688c25981d39eaa12290/1484073400777/37460006.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Untitled</image:title>
      <image:caption>Mirror, photocopy, ferric oxide 40 x 80 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/567468de25981d39eaa12603/1484073471455/Screen+Shot+2017-01-10+at+00.31.08.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Dope Smokers, Paranoid</image:title>
      <image:caption>Oil on linen 45 x 60 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/5872af67a5790a9fba916c1d/1484073400816/37470006.JPG</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Untitled</image:title>
      <image:caption>Super 8 film transferred to DVD</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581e9f1e4b0a5db48a551c5/58742ae9be65949768dc971f/1484073503962/Screen+Shot+2017-01-10+at+00.27.42.jpg</image:loc>
      <image:title>Centre for Contemporary Art. Glasgow. 2005 - Disclaimer</image:title>
      <image:caption>Oil on canvas 45 x 60 cm Abandoned Painting of Jurgen F. Strube: BASF chairman of the board of executive directors 1994-2003. Accompanied by the following text: "This Exhibition was not sponsored by, endorsed by, or in any other way associated with Badische Analin und Soda Fabric."</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.michaelfullerton.co.uk/s1-artspace-sheffield</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2017-01-10</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/t/58745a40440243faed42d7dc/1450303786221/</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5671de6da976af1587a14ff8/1450303786221/IMG_3547+%282%29.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5586046fe4b0892e0716e462/1483907263516/_JJ26896.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/56f96f9b9063409744849298/1483907283267/IMG_0710.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Poster</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5671ee4369a91a5538e20a1a/1483895432104/S1+press+1st.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Press release pt 1</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5671ee109cadb60e5538fe47/1483895444400/S1+press+2nd.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Press release pt 2</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/55860143e4b0013b3225ce11/1484020288768/IMG_3553.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - 'Head of a girl'</image:title>
      <image:caption>Sir Thomas Laurence (1769-1830) Oil on canvas 42 x 36 cm Museums Sheffield Gift from J. G. Graves, 1935</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/56f91cc1b73abe8dcc3305b8/1461365439375/IMG_3560.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5671dccf69a91a5538e135ec/1483907477895/IMG_3558.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - 'Colonel Milner of Totley Hall'</image:title>
      <image:caption>William Beechey circa. 1790–1800 Oil on canvas 204 x 137 cm Museums Sheffield Presented by W. A. Milner, 1944</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/558604e8e4b0892e0716e594/1483908651865/IMG_3563.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - The Formalist as Emigre</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 600 x 225 Collaboration with Peter Peri</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/56f91d1eb73abe8dcc3306e3/1483907570526/IMG_3550.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - C18Fe7N18</image:title>
      <image:caption>Vinyl 200 x 200 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/55860458e4b0892e0716e429/1434846313409/_JJ26872.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5676059dd82d5eb8ca99f7e0/1483908544832/IMG_3525.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Beauty Advertisement (Conde Nast Corporation)</image:title>
      <image:caption>Oil on linen 45 x 60 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5676059d69a91ad151063477/1483908529179/IMG_3528.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Beauty Advertisement (Conde Nast Corporation)</image:title>
      <image:caption>Oil on linen 45 x 60 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5598475be4b067d7a2fa6466/1436043114405/20150619-_JJ26876.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5671f0e440667a634d0f2ea0/1483908689809/IMG_3520.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Untitled</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 225 x 300 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/558600e6e4b0013b3225ccee/1483907890683/IMG_3555.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - 'Head of a Girl with Roses'</image:title>
      <image:caption>Charles Brocky circa. 1840–1845 Oil on Canvas 40 x 34 cm Museums Sheffield Bequeathed by J. N. Mappin, 1887</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5676061fd82d5eb8ca99fa91/1484020162206/IMG_3530.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Beauty Advertisement (Conde Nast Corporation)</image:title>
      <image:caption>Oil on linen 45 x 60 cm</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5671dc6b69a91a5538e1306e/1483908045425/IMG_3556.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - 'Master Charles Hope'</image:title>
      <image:caption>Thomas Laurence 1769-1830 Oil on Canvas 62 x 61 cm Sheffield Museums On loan from a private collection</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5586003be4b092041c840672/1483908804258/IMG_3557.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Maximilien François Marie Isidore de Robespierre (1758–1794)</image:title>
      <image:caption>French School 18th C Oil on canvas 49 x 41 cm Museums Sheffield Gift from J. G. Graves, 1935</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5581fdc6e4b0eb37cc424405/5586016fe4b0013b3225ce8c/1483908474323/_JJ26904.jpg</image:loc>
      <image:title>S1 Artspace / Graves Gallery and Museum, Sheffield 2015 - Prussia Blue</image:title>
      <image:caption>Pigment</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.michaelfullerton.co.uk/new-gallery-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-04-18</lastmod>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/566ee162e0327c463dd0c89c/566ee23fa128e6796590217e/1461001815058/2015AB11640_0.jpg</image:loc>
      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/566ee162e0327c463dd0c89c/566ee178e0327c463dd0c9f5/1450107280823/text+panel+2015+sngma-3.jpg</image:loc>
      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/566ee162e0327c463dd0c89c/566ee20ea128e67965901f11/1450129446583/2015AB11636_0.jpg</image:loc>
      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/566ee162e0327c463dd0c89c/566ee3efa128e679659038da/1450129447290/text+panel+2015+sngma-8.jpg</image:loc>
      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/566ee162e0327c463dd0c89c/566ee19fa128e679659018fc/1450129446333/2015AB11617_0.jpg</image:loc>
      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/566ee162e0327c463dd0c89c/566ee3dda128e679659037d0/1450129447167/text+panel+2015+sngma-5.jpg</image:loc>
      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/566ee162e0327c463dd0c89c/566ee399a128e679659033bb/1461001831131/2015AB11676_0.jpg</image:loc>
      <image:title>Scottish National Gallery of Modern Art 2015 - Beauty / Poison</image:title>
      <image:caption />
    </image:image>
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      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
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      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
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      <image:title>Scottish National Gallery of Modern Art 2015</image:title>
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      <image:title>Scottish National Gallery of Modern Art 2015 - Meaning Inc.</image:title>
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    <lastmod>2017-01-09</lastmod>
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      <image:title>Transmission Gallery, Glasgow 2003 - Are You Hung Up?</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 100 x 75 cm</image:caption>
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      <image:caption>Vinyl</image:caption>
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      <image:caption>Oil on linen 45 x 60 cm Wayne Allard, Colorado senator. Voting record %100 pro-life.</image:caption>
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      <image:title>Transmission Gallery, Glasgow 2003 - Analogue Version of a Pro-Life Action league Billboard, Denver, CO (heartbeat noise)</image:title>
      <image:caption>Urethane, ferric oxide and varnish on MDF 480 x 180 cm</image:caption>
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      <image:title>Transmission Gallery, Glasgow 2003 - Fruits of Passion 1985</image:title>
      <image:caption>Oil on linen 120 x 150 cm</image:caption>
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      <image:caption>Oil on linen each panel 45 x30 cm</image:caption>
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      <image:title>Transmission Gallery, Glasgow 2003</image:title>
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      <image:title>Transmission Gallery, Glasgow 2003 - Love bite</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 675 x 100</image:caption>
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    <image:image>
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      <image:title>Transmission Gallery, Glasgow 2003 - Analogues Containing Nothing But Blank, Empty Space</image:title>
      <image:caption>Cast urethane and ferric oxide 30 cm</image:caption>
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      <image:title>Transmission Gallery, Glasgow 2003 - Paddy Joe Hill</image:title>
      <image:caption>Oil on linen 100 x 150 Wrongly convicted of the two suspected IRA bombings in Birmingham 1975. Exonerated 16 years later. Founded misscarriages of Justice Organisation.</image:caption>
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      <image:title>Transmission Gallery, Glasgow 2003 - Love bite</image:title>
      <image:caption>Silkscreen on newsprint, flyposted 75 x 100 cm</image:caption>
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      <image:title>Exhibitions</image:title>
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    <loc>http://www.michaelfullerton.co.uk/gng-2015-2</loc>
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    <lastmod>2017-08-02</lastmod>
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      <image:title>gng 2015 2 - Who Are The Brain Police?</image:title>
      <image:caption>Police Vehicle Strobes, wood, electrical components 60 x 60 x 60 cm</image:caption>
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    <image:image>
      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5715d0244c2f857a7f1520bf/5715d14037013b05a035b61c/1483895843575/DSC_6432.JPG</image:loc>
      <image:title>gng 2015 2 - Who Are The Brain Police?</image:title>
      <image:caption>Police Vehicle Strobes, wood, electrical components 60 x 60 x 60 cm</image:caption>
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      <image:loc>https://static1.squarespace.com/static/5581a867e4b087ac037b991a/5715d0244c2f857a7f1520bf/5715d14c37013b05a035b65b/1461047941571/DSC_6529.JPG</image:loc>
      <image:title>gng 2015 2 - Two Lasers: One Pointing at Polaris (Pole Star). The Other Delineating the Traversal of the Star Regulus as It Comes Over the Horizon</image:title>
      <image:caption>Pedestal, table, tools, acrylic, lasers, smoke machine, mirrors Dimentions Variable</image:caption>
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    <image:image>
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      <image:title>gng 2015 2 - Regulus Guided Missile (Associated Press Photo, circa 1957)</image:title>
      <image:caption>Silkscreen on newsprint 101 x 76 cm</image:caption>
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      <image:title>gng 2015 2</image:title>
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      <image:title>gng 2015 2 - Beauty 2.0</image:title>
      <image:caption>Silkscreen with black and gold ink onto Somerset Newsprint 63 x 46 cm Edition of 20 Scene depicted is a New Zealand beach photographed by Peter Gutmann.</image:caption>
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    <image:image>
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      <image:title>gng 2015 2 - Ultramarine</image:title>
      <image:caption>Black and gold ink, silkscreened onto Somerset Newsprint  74 x 108 cm Edition of 20 Kim Dotcom was the number one ranked player of the online multiplayer game, Call of Duty: Modern Warfare 3, published by Activision in 2011. The game sold more than 6.5 million copies in the US and UK on the release date and grossed $400 million in its first 24 hours, making it the biggest entertainment launch of all time. According to Activision the title grossed more than $775 million globally in its first five days of availability and went on to gross $1 billion throughout the world in sixteen days of availability, beating the film, Avatar’s record of nineteen days. Kim Dotcom lost his number one rank whilst in prison.</image:caption>
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    <lastmod>2017-07-26</lastmod>
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